Industry insiders weigh in on the growing trend of adapting international shows for Indian audiences and contexts.
Netflix’s four original titles have secured 14 nominations at this year’s prestigious Asian Academy Creative Awards where they will go on to represent India and compete in the Grand Awards, across the APAC region, in December 2024.
Phars Film (PHF) has locked down the overseas theatrical distribution rights for “Singham Again,” the upcoming tentpole from Jio Studios, the content arm of billionaire Mukesh Ambani’s Reliance Industries Limited.
The Karnataka Cine and Cultural Activists (Welfare) Act, 2024, proposes a cess of up to two percent on movie tickets and OTT subscription fees to support cinema and 'cultural artists'.
Kollywood has lost its plor - this article explores changes in Tamil cinema, noting a trend towards violence and revenge themes driven by audience preferences and OTT platforms.
Big data is transforming industries globally, and the film industry is no exception. Over the past decade, big data has become a critical tool in helping filmmakers, studios, and distributors make more informed decisions.
A strong lineup that includes Bhool Bhulaiyaa 3, Singham Again and Pushpa 2 gives cinemas and industry experts optimism that the year will end on a high note.
Live entertainment, be it music concerts, festivals or any other performance act, have become a “mainstay” in the social and cultural fabric of India, say companies.
Historian Makkhan Lal, appointed as subject expert by CBFC for Emergency, has defended the portrayal of late PM Indira Gandhi in the Kangana Ranaut-starrer.
Telecom operators have expressed concern over Trai's recent recommendation on a new regime that proposes to allow the provisioning of telecom service using single authorisation instead of a license, which was the norm under the old regime.