At FICCI Frames, JioStar’s Sharma highlights how personalised viewing, interactivity, and AI are reshaping the way audiences experience live sports
Dharma's ‘Sunny Sanskari Ki Tulsi Kumari’ had made only around ₹38 crore so far, and even the Kannada fantasy thriller ‘Kantara’ has received traction only in specific markets. The only big-budget hope is Ranveer Singh-starrer ‘Dhurandhar’, besides a few dark horses.
Kalli Purie and Vanita Kohli-Khandekar on tech trust and news
Bollywood returns to Britain, promising thousands of jobs and millions in investment
Monika Shergill on how Indian tales, local flavours and global reach define Netflix’s run.
As Prasar Bharati transitions from traditional broadcasting to a hybrid digital model, partnerships like that with Creativeland Asia signal the organization’s intent to blend creativity with commercial sustainability.
The AI-powered epic will stream on Waves before airing on India's public broadcaster
The industry has grown from ₹25,000 crore in 2000 to about ₹2.5 lakh crore today, Sanjay Jaju, Secretary, Union Ministry of Information and Broadcasting, said at the 25th edition of FICCI Frames
At FICCI Frames 2025, Gaurav Banerjee, MD-CEO of SPNI, said India’s media and entertainment industry must move to the centre of the country’s economic and cultural growth narrative
Speaking at FICCI FRAMES, Kevin Vaz expressed that a light-touch regulatory regime is the optimal approach to ensure the growth envisioned for the M&E sector