We have known it for a long time. And many have cautioned us about it as well. Now here’s some data to support the fact that digital content influencers and creators are pretty inventive about the so-called information that they tout as facts.
Yousuf Rangoonwala, Founder & Executive Director, Kakkoii Entertainment, writes that AI might be artificial, but the feelings it helps brands evoke will be very, very real.
Dramacool emerged in the early 2010s, catering to pirates with a love for Asian dramas. The operation eventually drew an audience of millions but, in true drama fashion, announced its own demise this week.
The Telecom Regulatory Authority of India (TRAI) released a consultation paper that seeks inputs on the terms and conditions for network authorisation for a range of services including content delivery networks (CDNs), in October this year.
YouTube is increasingly dominating TV viewing habits with more than 9 in 10 online adults using the service, according to UK regulator Ofcom’s Online Nation report.
In a week that controversy surrounding Monsters: The Lyle and Erik Menendez Story was generating headlines aplenty for Netflix, an old British show quietly slipped into the streamer’s UK top 10, neatly demonstrating something of a 2024 viewing trend.
The annual International Film Festival of India (IFFI) and the overlapping project market Film Bazaar have concluded what has been possibly their most successful editions yet and Variety was on hand to report on the proceedings.
Lithuanian filmmaker Saulė Bliuvaitė’s “Toxic” took home the best film award at the 55th International Film Festival of India (IFFI) in Goa.
Dramacool emerged in the early 2010s, catering to pirates with a love for Asian dramas. The operation eventually drew an audience of millions but, in true drama fashion, announced its own demise this week.
The team behind SonyLIV drama Freedom at Midnight are moving the Indian Independence story on for its second season following a strong response to Season 1.