The 7th Global Film Tourism Conclave highlighted cinema's role in promoting global tourism and economic benefits for India. Key discussions included destination branding, government incentives, and India's potential as a prime filming destination, driven by international interest and support from the Indian government.
Recent mini-scandals surrounding 'Emilia Pérez' and 'The Brutalist' illustrate the fear of the tech in Hollywood, but internationally 'there’s an undercurrent of excitement.'
JioStar launches JioHotstar, merging JioCinema and Disney+ Hotstar, boasting 50 crores users and 3 lakh hours of content. The platform features original and international content, with a focus on cricket.
The two countries will also enable industry partnerships and investments in next-generation data centres, cooperation on the development and access to computing and processors for AI, innovations in AI models, and building AI applications to solve societal challenges, while addressing the protections and controls necessary to safeguard these technologies and reduce regulatory barriers
The Ministry of Electronics and Information Technology (MeitY) has extended the public feedback period on draft rules for the Digital Personal Data Protection Act (DPDPA) by 15 days.
Companies can consider a tokenised approach to age assurance to ensure data minimisation, the European Union’s Data Protection Board (EUDPB) said in a statement on age assurance on February 11.
It took a village of storytellers to bring “Kingdom of the Planet of the Apes” to life. At the heart of it all was VFX house Wētā, which had a crew of over 1000 artists working on delivering 1500 visual effects shots.
With the Paramount+ prequel series “Dexter: Original Sin” going back in time to explore the formative experiences of 20-year-old avenging serial killer (Patrick Gibson), there’s a hope that it will help turn back the clock for the production community in Miami.
DP Lol Crawley has earned an Oscar nomination for “The Brutalist,” shot on VistaVision, a widescreen film process developed by Paramount Pictures in 1954 to help lure viewers away from their living room TVs and into the theaters.
The top broadcasters have been leaving and returning to DD Freedish allegedly due to pressure from pay cable and DTH operators.