At the 56th International Film Festival of India (IFFI), veteran editor Sreekar Prasad led a session titled ‘From Mind to Screen: Vision to Execution – An Editing Workshop’, that drew the audience into cinema’s quietest yet most decisive space — the editing table, where scenes find balance and stories settle into form.
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Homebound, the Indian entry for Best International Feature Film at the Academy Awards, wrapped up its
theatrical run with collections of ₹3 crore this September.
Leading Indian filmmaker Rajkumar Hirani drew a full house at the International Film Festival of India (IFFI) with a dynamic session unpacking how writing and editing shape a film’s emotional core, using examples from “3 Idiots,” “Lage Raho Munna Bhai” and his wider filmography to show how meaning, tension and character can shift entirely through the arrangement of shots, sound and structure.
A panel discussion titled ‘A Global India Through Independent Cinema: A Women’s Panel’ at the ongoing International Film festival of India (IFFI) in Goa yesterday brought together four compelling voices — actor- filmmaker Rajni Basumatary, cinematographer Fowzia Fathima, actor-filmmaker Rachel Griffiths and actor Meenakshi Jayan — who explored how women’s creative and personal journeys were shaping the future of independent cinema.
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IFFI masterclass spotlights women shaping global cinema with empathy, craft and courage.
India reaffirmed its ambition to emerge as the “studio of the world” as the International Film Festival of India (IFFI) hosted a high-level Ambassadors’ Roundtable on Friday, bringing together envoys and senior diplomats to explore deeper collaborations in filmmaking, co-production, and creative-economy partnerships. The meeting, held on November 21 in Goa, focused on strengthening cultural and technological synergy with partner nations.
The 56th International Film Festival of India (IFFI) opened with a surge of patriotic emotion as ‘Kakori’, directed by Kamlesh K. Mishra, made a powerful impact on festival audiences.