Netflix’s films had no trouble winning nominations during this year’s awards season — it just had a hard time turning nominations into trophies.

Canada's IMAX Corp, best known for its immersive cinema technology, is bullish on India and sees a potential for close to 100 screens in the country, despite very slow growth here in the last 20 years, a top company executive said.

Despite the lack of diversity in awards show nominees that sparked controversy earlier this year, the entertainment industry is actually moving in a positive, more representative direction. Things have changed a lot in the past four years as a result of the Me Too Movement.

To gain new audiences (and cash), the Amsterdam museum is experimenting with its own brand of populist info-tainment.

Hollywood can’t seem to stop talking about how a South Korean film, Parasite, defied the ‘one-inch barrier’ of subtitles to become the first foreign film ever to win the top prize at the Oscars. To me, a movie buff from India, Parasite brings new urgency to an old question: Why can’t India, the world’s most prolific producer of films, make even one good enough for an Academy award?

The Sun Valley Film Festival and Ford, a three-time partner of the five-day event, have announced the Ford Pitch Fest, a new initiative where producers will have a chance to pitch their project to receive a $25,000 producers grant.

Google Cloud is turning to a traditional enterprise sales model as it takes on front-runners Amazon and Microsoft: separate services by industry and go straight to c-suites.

WB Studio Day provided a unique opportunity for WB First Cut program students to gain career insight and in-depth knowledge of production’s inner workings on a working studio lot

The 24 million people who watched this year’s Academy Awards got to see what Hollywood has become: an industry that cares less about producing quality entertainment, and more about reinforcing a culture that puts a premium on grievance, oppression and victimhood.