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    There’s Already a Disturbing Amount of Pandemic Content in the Works

    • 23.11.2020
    • Vice

    From a ridiculous-looking Michael Bay movie to a melodrama called 'Lock Down,' which is basically just 'Crash' for the coronavirus.

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    How ‘All Quiet on the Western Front’ Ran Afoul of Nazi Film Censors

    • 23.11.2020
    • The Wire

    Director Lewis Milestone's unsparing portrayal of WWI quickly encountered Nazi censorship after its November 21, 1930 premiere. Based on the German novel by Erich Maria Remarque, no one had ever seen anything like it.

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    So, Was Trump Good for Comedy?

    • 23.11.2020
    • Vice

    Dissecting the entertainment impact of a president who's wrought so much real-world havoc seems trivial, but it's a question that won't go away.

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    WarnerMedia and NBCUniversal Should Be Merged, Analyst Argues

    • 22.11.2020
    • The Hollywood Reporter

    Will this vision actually become reality? "We doubt it," writes LightShedPartners analyst Richard Greenfield.

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    Taiwan’s Screenworks Asia Positions Itself as Development Hub for Regional Content

    • 22.11.2020
    • Variety

    Newly-launched Taiwan production company Screenworks Asia is to be involved in a wide range of screen content. But it is to be particularly involved in development of international projects.

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    Busan from my blue sofa

    • 22.11.2020
    • The Hindu

    Tuning in to virtual film festivals allows more time for movies.

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    Is harking back to ’90s hits and classics only an outcome of fresh content crisis? Nostalgia experts weigh in

    • 22.11.2020
    • Firstpost

    Experts say conjuring nostalgia by watching old movies or taking up old hobbies is an effective way to cope with stress and anxiety. It can lift moods, boost confidence, and inspire a sense of optimism.

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    Moral Policing of OTT Platforms Is Only the Latest Episode in India’s Saga of Censorship

    • 22.11.2020
    • The Wire

    While the question of freedom of expression in India needs a nuanced approach, pre-censorship is arbitrary and chilling.

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    Behind Universal’s Bold Bet to Shorten the Theatrical Window

    • 22.11.2020
    • The Hollywood Reporter

    In inking deals with exhibitors to send films to homes earlier in exchange for a slice of premium on-demand revenue, studio chief Donna Langley sees the result as "additive, not the opposite."

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    How HBO Max Became ‘Wonder Woman 1984’s’ Best Option

    • 21.11.2020
    • Variety

    Though the film is forgoing substantial box office returns and will likely end up losing money — “Wonder Woman” cost $200 million to make and many millions more to market globally — leaning into the HBO Max of things became the best option because it allowed them to get the movie out in a timely manner while promoting a streaming service that’s struggled to make waves.

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