India’s copyright law is “effectively inoperative” when it comes to digital takedowns – that’s the stark assessment from Ameet Datta, one of India’s foremost copyright lawyers, as the ANI vs YouTubers dispute lays bare a critical legal vacuum when it comes to protection for usage of footage for news reporting and analysis by YouTubers.

Looking ahead, JioStar is placing a deliberate bet on India's youth. While acknowledging that MTV has led the way in Gen Z programming in recent years, Kutty said the broader industry has failed to cater to this cohort adequately.

Prime Video U.S. chief Albert Cheng and others detail the tech giant's investments and experiments to streamline pay-TV subscriptions and viewing

Using purchased copyrighted works to train AI models is fair use under the US Copyright Law, a US district court of Northern California ruled on June 23.

JioStar CEO of sports and live experiences Sanjog Gupta delivered a masterclass in sports platform strategy during the APOS 2025 conference, revealing how the Indian media giant achieved its “audacious” goal of reaching one billion viewers for the Indian Premier League cricket tournament while transforming the country’s sports consumption landscape.

The Asia-Pacific screen entertainment economy is entering a more competitive phase as digital platforms prepare to capture an increasing share of what will become a $175 billion regional revenue pie by 2030, according to data presented at the APOS summit 2025 opening session.

Movie buffs get a reel treat with 1-click tickets, rewards and seamless checkout.

For many thousands of Albanians, Filma24 was the top destination for pirated movies and TV shows.

On May 6, 2025, India and the UK concluded talks on a comprehensive free trade agreement (FTA), after years of negotiations.