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    As ‘Stranger Things’ Comes to an End, Its Impact on the ‘Dungeons & Dragons’ Renaissance Keeps Rolling

    • 25.11.2025
    • Variety

    The influence the iconic table-top roleplaying game has had on Matt and Ross Duffer’s ’80s-set, sci-fi phenomenon is undeniable, both in terms of how often the game itself is played throughout the show, and the classic monsters and villains it has inspired within the show’s universe.

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    Warner Music Signs Deal With GenAI Platform Suno to Build Licensed AI Music Models After Suing Them

    • 25.11.2025
    • Medianama

    Following a lawsuit, Warner Music Group, one of America’s leading multinational record label conglomerates, announced its partnership with Suno AI, a US-based generative AI music platform.

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    Paramount, Comcast, Netflix in bidding race to acquire WBD

    • 25.11.2025
    • Indian Broadcasting World

    Warner Bros Discovery has received initial buyout offers from industry giants Paramount Skydance, Comcast and Netflix, signalling the beginning of what could become one of Hollywood’s most significant consolidation moves in recent years.

    The bidding process, confirmed by a source familiar with the matter, sets the stage for a potential ownership shift of the iconic studio, home to some of the world’s most valuable entertainment brands, a Reuters report stated

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    Netflix lines up high-decibel send-off for sci-fi ‘Stranger Things’

    • 25.11.2025
    • Indian Broadcasting World

    Netflix’s hit sci-fi series ‘Stranger Things’ is about to ride to its conclusion with a marketing and merchandising blitz befitting a blockbuster movie. Ahead of the fifth and final season’s debut on Wednesday (Nov. 26), thousands turned out in Los Angeles at a cycling event dubbed ‘One Last Ride’, a nod to the show’s bike-riding teenagers in the fictional town of Hawkins, Indiana.

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    IFFI: Sreekar Prasad unpacks craft behind cinematic rhythm

    • 25.11.2025
    • Indian Broadcasting World

    At the 56th International Film Festival of India (IFFI), veteran editor Sreekar Prasad led a session titled ‘From Mind to Screen: Vision to Execution – An Editing Workshop’, that drew the audience into cinema’s quietest yet most decisive space — the editing table, where scenes find balance and stories settle into form.

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    India’s DPDP Act reshapes the under-18 digital economy

    • 25.11.2025
    • Exchange4media

    The DPDP Act classifies all users under-18 as a high-risk category, requiring platforms to obtain verifiable parental consent before processing their personal data

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    India’s GenAI inflection point: From creative pilots to enterprise-level implementation

    • 25.11.2025
    • Exchange4media

    India is entering a phase where AI is no longer a side tool but a core engine, transforming workflows, skills, operating models, commercial frameworks, and competitive advantage

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    No show: Independent films struggle to find screening slots in theatres even in absence of commercial cinema

    • 24.11.2025
    • Mint

    Homebound, the Indian entry for Best International Feature Film at the Academy Awards, wrapped up its
    theatrical run with collections of ₹3 crore this September.

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    ‘3 Idiots,’ ‘Munna Bhai’ Filmmaker Rajkumar Hirani Breaks Down Writing and Editing at International Film Festival of India Masterclass

    • 24.11.2025
    • Variety

    Leading Indian filmmaker Rajkumar Hirani drew a full house at the International Film Festival of India (IFFI) with a dynamic session unpacking how writing and editing shape a film’s emotional core, using examples from “3 Idiots,” “Lage Raho Munna Bhai” and his wider filmography to show how meaning, tension and character can shift entirely through the arrangement of shots, sound and structure.

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    Indie women filmmakers call for equity, visibility, creative freedom

    • 24.11.2025
    • Indian Broadcasting World

    A panel discussion titled ‘A Global India Through Independent Cinema: A Women’s Panel’ at the ongoing International Film festival of India (IFFI) in Goa yesterday brought together four compelling voices — actor- filmmaker Rajni Basumatary, cinematographer Fowzia Fathima, actor-filmmaker Rachel Griffiths and actor Meenakshi Jayan — who explored how women’s creative and personal journeys were shaping the future of independent cinema.

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