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    Live Sports Piracy: EU Commission Admits that Anti-Piracy Advice Had Limited Impact

    • 26.11.2025
    • TorrentFreak

    The European Commission has published its assessment of the May 2023 Recommendation aimed at combating live sports piracy. While even the modest progress reported is positive by definition, for rightsholders urging immediate action, the promise of further discussion as a foundation for future initiatives and potential progress, are not what most, if any, had in mind.

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    Government moves to tighten digital content norms with new obscenity code

    • 26.11.2025
    • IndianTelevision

    MIB to revamp digital ethics code with new AI and deepfake rules

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    MIB extends deadline for public comments on Anti-Piracy framework as industry pushes for stronger enforcement

    • 26.11.2025
    • Storyboard18

    The Ministry issued a fresh public notice on November 26, granting an additional two weeks for stakeholders to submit their inputs via email, following its earlier announcement on November 7 that initiated consultations for a nationwide anti-piracy strategy.

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    With parts of the Data Protection Act now in effect, how will your online experience change?

    • 26.11.2025
    • Medianama

    Earlier this month, the IT Ministry notified the Digital Personal Data Protection Rules (DPDP Rules, 2025) and, with them, operationalised parts of the Digital Personal Data Protection Act (DPDP Act, 2023).

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    Will AI redefine global cinema? Probably yes, say IFFI veterans

    • 26.11.2025
    • Indian Broadcasting World

    The sixth day of the International Film Festival of India (IFFI) 2025 yesterday featured a thought-provoking masterclass titled ‘The New AI Cinema: A Discourse on Generative AI and Large Language Models (LLMs)’, bringing together eminent voices from technology and cinema to discuss the rapidly evolving landscape of artificial intelligence-driven filmmaking

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    As ‘Stranger Things’ Comes to an End, Its Impact on the ‘Dungeons & Dragons’ Renaissance Keeps Rolling

    • 25.11.2025
    • Variety

    The influence the iconic table-top roleplaying game has had on Matt and Ross Duffer’s ’80s-set, sci-fi phenomenon is undeniable, both in terms of how often the game itself is played throughout the show, and the classic monsters and villains it has inspired within the show’s universe.

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    Warner Music Signs Deal With GenAI Platform Suno to Build Licensed AI Music Models After Suing Them

    • 25.11.2025
    • Medianama

    Following a lawsuit, Warner Music Group, one of America’s leading multinational record label conglomerates, announced its partnership with Suno AI, a US-based generative AI music platform.

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    Paramount, Comcast, Netflix in bidding race to acquire WBD

    • 25.11.2025
    • Indian Broadcasting World

    Warner Bros Discovery has received initial buyout offers from industry giants Paramount Skydance, Comcast and Netflix, signalling the beginning of what could become one of Hollywood’s most significant consolidation moves in recent years.

    The bidding process, confirmed by a source familiar with the matter, sets the stage for a potential ownership shift of the iconic studio, home to some of the world’s most valuable entertainment brands, a Reuters report stated

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    Netflix lines up high-decibel send-off for sci-fi ‘Stranger Things’

    • 25.11.2025
    • Indian Broadcasting World

    Netflix’s hit sci-fi series ‘Stranger Things’ is about to ride to its conclusion with a marketing and merchandising blitz befitting a blockbuster movie. Ahead of the fifth and final season’s debut on Wednesday (Nov. 26), thousands turned out in Los Angeles at a cycling event dubbed ‘One Last Ride’, a nod to the show’s bike-riding teenagers in the fictional town of Hawkins, Indiana.

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    IFFI: Sreekar Prasad unpacks craft behind cinematic rhythm

    • 25.11.2025
    • Indian Broadcasting World

    At the 56th International Film Festival of India (IFFI), veteran editor Sreekar Prasad led a session titled ‘From Mind to Screen: Vision to Execution – An Editing Workshop’, that drew the audience into cinema’s quietest yet most decisive space — the editing table, where scenes find balance and stories settle into form.

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