In this episode of Industry Spotlight by Creative First, Sanath Pilleri Cheleri., Co-founder of Firefly Creative Studio and visual effects supervisor on films including Kalki 2898 AD, Baahubali: The Beginning, and Robot, speaks with Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, about the evolution of visual effects in Indian cinema, the impact of artificial intelligence, and why storytelling remains at the heart of filmmaking.
MOU Marks Significant Step Forward to Safeguard Intellectual Property on Seedance and Seedream and Further Protect the Film and TV Industry
Creator Dan Fogelman’s post-apocalyptic political thriller Paradise is a wild, post-apocalyptic thrill ride that’s got heart as well as brawn.
Christopher Nolan’s The Odyssey is now sailing through the Middle Kingdom.
When viewers become smitten with the characters of Nobody Wants This, they are also captivated by the world surrounding them.
To say that screenwriters Chris McKenna and Erik Sommers understand the Spider-Man audience amounts to a multi-billion-dollar understatement.
Costume Designer Sanja Milkovic Hays is no stranger to Marvel or the Spiderverse.
“This movie has been one of the best experiences I’ve had,” stunt coordinator and second unit director Peng Zhang tells The Credits about working on Spider-Man: Brand New Day.
It was on his honeymoon that Travis Braun came up with the wild premise for One Night Only (in theaters now) whereby single people can only have sex 12 hours a year due to a government-enforced mandate.
Set four years on from Spider-Man: No Way Home, director Destin Daniel Cretton’s Spider-Man: Brand New Day