When Beef creator Lee Sung Jin built the second season of his acclaimed Netflix anthology, he knew the show’s volatile mix of wealth, ambition, self-delusion, and emotional reckoning would require a musical identity that could evolve alongside it.
When writer Jack Thorne reimagined William Golding’s Lord of the Flies as a four-part series for Netflix, he wasn’t interested in simply retelling the iconic story, nor in trying to recapture the two cinematic adaptations, Peter Brook’s 1963 British version or Harry Hook’s 1990 American one.
This striking graphic, created by IP lawyer Maryna Hryhorieva, is a great summation of the current state of play regarding the still very fluid issue of AI training and copyright.
Director Jon Favreau’s Star Wars: The Mandalorian and Grogu is now streaming on Disney+.
Hosted by France’s President Macron and Co-Chaired with the Republic of Korea’s President Lee, the Summit Highlights International Collaboration to Counter Piracy, Protect Intellectual Property, Support the Film and TV Industry, and Strengthen the Global Audiovisual Ecosystem
First-of-its-kind MPA collaboration in the region will examine consumer harm and cybersecurity risks linked to piracy in South Africa, Kenya and Nigeria
In this episode of Industry Spotlight by Creative First, Neeraj Goswamy, a film and media veteran with over two decades of experience in theatrical distribution, joins Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, for a wide-ranging conversation on how theatrical distribution in India has evolved, how audience behaviour is changing, and what the future could look like for cinema exhibition.
Australian Prime Minister Anthony Albanese caught global attention in mid-July with his speech at the University of Sydney, “AI in Australia’s Interests”.