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    Blogs

    Patient Zero: Zach Cregger Takes “Resident Evil” in a New Direction

    • 11.09.2026
    • By The Credits

    Zach Cregger is on a serious heater.

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    How VFX Wizard John Knoll & Sound Master David Acord Made “The Mandalorian and Grogu” Bigger Than Ever

    • 09.09.2026
    • By Daron James

    Director Jon Favreau’s Star Wars: The Mandalorian and Grogu is now streaming on Disney+.

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    MPA Champions Global Cooperation to Promote and Protect Creativity at Lumière Summit

    • 08.09.2026
    • By creative

    Hosted by France’s President Macron and Co-Chaired with the Republic of Korea’s President Lee, the Summit Highlights International Collaboration to Counter Piracy, Protect Intellectual Property, Support the Film and TV Industry, and Strengthen the Global Audiovisual Ecosystem

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    MPA and Nelson Mandela University announce landmark collaboration to advance research on piracy in Africa

    • 07.09.2026
    • By Sabine Henssler

    First-of-its-kind MPA collaboration in the region will examine consumer harm and cybersecurity risks linked to piracy in South Africa, Kenya and Nigeria

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    Rethinking the Big Screen: The Future of Film Distribution and Exhibition

    • 04.09.2026
    • By Neeraj Goswamy

    In this episode of Industry Spotlight by Creative First, Neeraj Goswamy, a film and media veteran with over two decades of experience in theatrical distribution, joins Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, for a wide-ranging conversation on how theatrical distribution in India has evolved, how audience behaviour is changing, and what the future could look like for cinema exhibition.

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    AI Training and Copyright Licensing: The Changing Tide

    • 03.09.2026
    • By Hugh Stephens

    Australian Prime Minister Anthony Albanese caught global attention in mid-July with his speech at the University of Sydney, “AI in Australia’s Interests”.

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    “The Dog Stars”: Ridley Scott on Preparing For the End of the World

    • 01.09.2026
    • By Jack Giroux

    Ridley Scott makes the apocalypse look lush.

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    How “The End of Oak Street” Editor John Axelrad Crafted Anne Hathaway & Ewan McGregor’s Lean, Mean Dinosaur Thriller

    • 31.08.2026
    • By Hugh Hart

    If the sight of Anne Hathaway firing a shotgun at a dinosaur and watching a pair of sauropods copulate against the side of a two-story house isn’t enough to engage audiences, there’s also the fact that The End of Oak Street (now in theaters) clocks in at a tight, tense 93 minutes thanks in part to the keen eye of editor John Axelrad.

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    How Did Content Discoverability Become a Third-Rail Issue for Canada-US Trade Talks?

    • 28.08.2026
    • By Hugh Stephens

    US Trade Representative Jamieson Greer declared in his interview with the CBC on August 26 that the issue of discoverability of Canadian content, especially French language content, was not a dealbreaker.

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    Creature Discomforts: Inside “Alien: Earth” With the Artists Behind Its Monsters

    • 26.08.2026
    • By Bryan Abrams

    Many unexpected things occur in Noah Hawley‘s gruesome, glorious Alien: Earth.

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