Writer/director Phil Johnston, known for his work on Zootopia and the Wreck-It Ralph features, says. “Every character I’ve ever truly connected to has been on the outside looking in. Outcasts, dirtbags, and weirdos are my people.” It seems appropriate, then, that he brought beloved weirdo-specialist Roald Dahl’s book “The Twits” to the big screen. He took Dahl’s story of two hateful people, expanded it, and turned it into a social satire wrapped in an animated comedy that is equally creepy and comforting, making it perfect Halloween season viewing for the whole family.
Agreement Enhances Content Protection Efforts and Coordination in Mexico
In this episode of Industry Spotlight by Creative First, film producer Shobu Yarlagadda, CEO and co-founder of Arka Mediaworks, joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to discuss the milestones that shaped his two-decade journey.
If a film’s visuals tickle the eye, scorch the heart, or linger in the consciousness long after the credits roll, you can thank the production designer. Whether the project is a blockbuster or a low-budget indie, the production designer is tasked with creating that elusive “look” of the film and translating the director’s vision into visual reality.
In the first part of our conversation with stunt coordinator and second unit director Gary Powell, he talked about director Joseph Kosinski’s ambitious vision for Apple’s highest-grossing theatrical release to date, F1: The Movie, starring Brad Pitt (Sonny Hayes) and Damson Idris (Joshua Pearce).
Amassing over $630 million in global box office since its June release, director Joseph Kosinski and Brad Pitt’s racing drama F1: The Movie is Warner Bros’ second-highest-grossing film in 2025, and partly responsible for the legacy studio’s newly minted status as the first to cross the $4 billion mark this year.
In this Industry Spotlight, Supriya Yarlagadda, CEO, Annapurna Studios joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to share insights from her multifaceted journey in Telugu cinema. Drawing from her third-generation film legacy, she emphasized courage, intuition, and perseverance as guiding principles in her career.
MKVCinemas and Illicit Cloning Tool Accounted for More Than 373 Million Global Visits Between 2024 and 2025
When I sat down with editor Myron Kerstein, it was immediately clear why director Jon M. Chu keeps bringing him back. Kerstein has the rare ability to blend a technical rigor with emotional intuition, a combination that has served him well on films like Crazy Rich Asians, In the Heights, and now, the two-part cinematic event Wicked and Wicked: For Good.
In this episode of Industry Spotlight by Creative First, Arghya Chakravarty, Chief Operating Officer of Shemaroo Entertainment Limited, joined Lohita Sujith, Sr. Director, Copyright & Digital Economy at the Motion Picture Association, to discuss his multifaceted career journey across Tata Steel, PepsiCo, Times of India, Star TV, and now Shemaroo.