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    Blogs

    MPA and ByteDance Announce Global Agreement to Protect Intellectual Property on AI Video and Image Generation Models

    • 19.08.2026
    • By Motion Picture Association

    MOU Marks Significant Step Forward to Safeguard Intellectual Property on Seedance and Seedream and Further Protect the Film and TV Industry

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    “The Odyssey” Sails Across 20,000 Screens in China While “Spider-Man” Swings to New Heights

    • 14.08.2026
    • By The Credits

    Christopher Nolan’s The Odyssey is now sailing through the Middle Kingdom.

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    No Stark Tech Available: “Brand New Day” Costume Designer Sanja Milkovic Hays on Making Spider-Man Homemade Again

    • 12.08.2026
    • By Simon Thompson

    Costume Designer Sanja Milkovic Hays is no stranger to Marvel or the Spiderverse.

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    Flight of the Hand: How Stunt Coordinator Peng Zhang Created “Spider-Man: Brand New Day’s” Dazzling Ninja Battle

    • 11.08.2026
    • By Daron James

    “This movie has been one of the best experiences I’ve had,” stunt coordinator and second unit director Peng Zhang tells The Credits about working on Spider-Man: Brand New Day.

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    “One Night Only” Screenwriter Travis Braun on Capturing the Madness of Modern Dating

    • 11.08.2026
    • By Hugh Hart

    It was on his honeymoon that Travis Braun came up with the wild premise for One Night Only (in theaters now) whereby single people can only have sex 12 hours a year due to a government-enforced mandate.

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    How Production Designer Charles Wood Created Spider-Man’s Lonely New York for “Brand New Day”

    • 10.08.2026
    • By Susannah Edelbaum

    Set four years on from Spider-Man: No Way Home, director Destin Daniel Cretton’s Spider-Man: Brand New Day 

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    Can Canadian Film or Television Have a Global Hit?

    • 09.08.2026
    • By Hugh Stephens

    Occasionally I am pleased to host a guest post on this blog, which is the case with today’s essay by Peter S. Grant.

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    How “Spider-Man: Brand New Day” DP Brett Pawlak Turned Classic Spider-Man Comics into Living Cinema

    • 07.08.2026
    • By Simon Thompson

    Much like Peter Parker, Spider-Man: Brand New Day cinematographer Brett Pawlak has the webslinger in his DNA.

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    US Streamers and Canadian Content: What is the Role of Copyright? (A Clarification)

    • 05.08.2026
    • By Hugh Stephens

    Last week I commented on the news that the Carney government intends to eliminate even the 5 percent base contribution of revenues required of US streaming services to fund Canadian production, rolling back a requirement imposed in 2024 by the CRTC as part of the first phase of implementing the Online Streaming Act.

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    How Christopher Nolan’s “The Odyssey” Brought a Historic California Theater Back to First-Run Glory

    • 05.08.2026
    • By The Credits

    It’s the kind of story a theater lover—of which Christopher Nolan is perhaps the most famous example—dreams of.

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