When you see a truly great film in a movie theater, if you’re anything like me, you’re simultaneously hyper-engaged and reduced to a kind of sentient sponge.
A sumptuous visual feast about class distinction, obsession, and destructive love, Emerald Fennell’s ambitious, boldly sensual adaptation of Emily Brontë’s 1847 novel, Wuthering Heights, happily sidesteps period accuracy in favor of amplifying the emotions between star-crossed lovers, Catherine Earnshaw (Margot Robbie) and Heathcliff (Oscar nominee for Frankenstein, Jacob Elordi).
Where better to laud Steven Spielberg, an artist who has defined and redefined the theater experience throughout his career, than at CinemaCon, the annual gathering of theater owners and studios to celebrate the cinematic experience?
In this episode of Industry Spotlight with Creative First, Tyrone Estephan, Managing Director of the Alt Group at Alt.vfx, joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to reflect on his journey into visual storytelling and the evolving intersection of technology, creativity, and production in the visual effects industry.
In this Industry Spotlight with Creative First, Ashish Pherwani, Partner – Media and Entertainment at EY, joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association to discuss key insights from the latest FICCI-EY report and the evolving dynamics of India’s media and entertainment landscape.
The Motion Picture Association, Inc. (MPA) and Meta Platforms, Inc. (Meta) have reached a resolution relating to Meta’s use of the MPA’s trademarked PG-13 film rating in connection with Instagram Teen Accounts.
With nine Oscar nominations — including four acting nods and one for Danish editor Olivier Bugge Coutté – Joachim Trier’s Norwegian-English feature has had an amazing awards season thus far.
There are films you admire, films you enjoy, and then there are films that burrow under your skin and stay there.
“It’s a special place,” production designer Scott Dougan says of Los Angeles during a conversation about director Bart Layton’s Crime 101, a high-stakes heist thriller set along Hollywood’s iconic 101 freeway. “And that’s not to say the crew is better or worse, but there’s something to the fact that there are generations of people who really know the business.”
During Prestige TV’s anti-hero golden age, showrunner Shawn Ryan created The Shield about corrupt cops in L.A. Now he’s paying more attention to the good guys.