What is our national obsession? Well, after cricket. A close second place goes to our love for streaming video platforms.

In a recent blogpost, Amazon called on Facebook and similar platforms to work more diligently to shut down the numerous trolls who swamp Amazon’s site with fake product reviews.

Aparna Purohit (Head of India Originals at Amazon Prime Video, India) joins Lohita Sujith (Sr. Director, Copyright & Digital Economy) in an exciting discussion on the creative aspects of developing and presenting authentic content to Indian audiences.

A fruitful discussion with NS Nappinai, a Supreme Court advocate & founder of Cyber Saathi, on the need for a robust policy and a legislative framework for the creative economy in the digital age.

In this exclusive interview, Anil explains the pandemic’s effect on how audiences consume media, and how it acted as a catalyst to unlock new potential for filmmakers.

The Copyright Office vide public notice dated October 27, 2021, notified that the All India Film Chamber of Commerce (AIFCC) has filed an application for registration as a copyright society under Section 33 of the Copyright Act, 1957 for carrying out business of issuing or granting license in respect of creative works i.e., literary, dramatic, musical and artistic works incorporated in cinematograph films or sound recordings.

The Fund, a joint initiative of the Motion Picture Association and the Asia Pacific Screen Academy, aims to encourage and empower creative filmmakers.

Creative First is delighted to present an interaction with Rick Ambros, international media and entertainment executive, consultant and producer (India, China, SE Asia, US, Europe), and Consultant and Executive Producer for Applause Entertainment, India.

In the new featurette, the cast of The Matrix Resurrections reflects on what the original film meant to them.