In this episode of Industry Spotlight with Creative First, Saameer Mody, Founder and Managing Director of Pocket Films, joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, MPA, to discuss evolving content formats, monetization models, and the rise of AI in independent filmmaking.

It is well known that when AI applications can’t respond to a query, instead of admitting they don’t know the answer, they often resort to “making stuff up”—a phenomenon commonly called “hallucination” but which should more accurately be called for what it is, total fabrication.

Digitisation and the internet have become integral and fundamental to our daily lives. Right from critical services such as banking to somewhat lighter services like entertainment, the online world dictates how people live and thrive in society.

If there’s a performer well-suited for the world of Mission: Impossible, it’s Katy O’Brian. The films are wildly ambitious technical endeavors – hugely physical and highly creative.

Back in Season 4 of Black Mirror, an enthusiastic programmer, Nanette (Cristin Milioti), gets trapped in a virtual-reality game by its creator and her boss, Robert Daly (Jesse Plemons).

The satisfactions of Tony Gilroy‘s Andor were such that many viewers comforted themselves when the series came to an end on May 13 by immediately turning to Rogue One, the 2016 feature film that Andor served as a prequel series for.

Co-created by and co-starring Stephen Graham, Netflix’s four-part series Adolescence has been a widely viewed hit for the streaming site.

A proper English thespian who originated a role in Tom Stoppard’s Laurence Olivier Award-winning play Arcadia fresh out of acting school, Rufus Sewell has since excelled as a character actor with leading man looks.

The recent sentencing of the operators behind MagisTVOficial[.]com – a notorious illegal streaming service based in Colombia – marks a positive step forward in the global fight against digital piracy.