Recently in Dipak Ranjan Mukherjee v. Ministry of Commerce & Industry[i] certain information was requested under the Right to Information Act, 2005, regarding compliance records, government letters received, and guidelines for tariff schemes issued by the Indian Performing Rights Society (IPRS).
Recently in the case of Akshat Baldwa v. Maddock Films[i], a petition was filed requesting accessibility features in the movies “Stree 2” and “Auro Mein Kahan Dum Tha” with respect to their OTT release.
In this Industry Spotlight with Creative First, Munjal Shroff, Co-Founder of Graphiti Multimedia Pvt. Ltd., joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to discuss his journey in creating groundbreaking children's content and reviving Indian cultural heritage through animation.
In this Industry Spotlight with Creative First, Ashish Kulkarni, Founder Punnaryug Artvision and AVGC industry veteran joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to discuss AVGC and technology in India.
In this Industry Spotlight with Creative First, Ujwal Nirgudkar, Chairman of SMPTE India and member of the Academy of Motion Picture Arts and Sciences, joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to discuss India’s efforts to preserve and restore cinematic heritage.
Preservation of an art form happens when it is showcased to an audience, especially to one that may not go to museums or read about it voluntarily.
In this Industry Spotlight with Creative First, Writer, Director, Producer & Filmmaker Anup Singh joined Lohita Sujith, Sr. Director, Copyright & Digital Economy, Motion Picture Association, to discuss his creative journey, the influence of Film Bazaar on his work, and the evolution of his storytelling.
“Every aspect of the visual language that we built always came from being rooted in the script,” cinematographer Jomo Fray tells The Credits about director RaMell Ross’s moving film Nickel Boys.
A film or TV set is usually powered almost exclusively by diesel generators. These generators were loud, hot, large, environmentally unfriendly, and often used at such a low capacity that they were practically idling.
Gladiator II picks up fifteen years following the events of Russell Crowe’s portrayal of Maximus Decimus Meridius in Gladiator (2000), an epically visceral film from Ridley Scott that not only won five Oscars.