During the Berlinale Film Festival earlier this year, the Motion Picture Association’s European team brought together a panel of industry veterans to discuss the state of diversity in filmmaking and how to ensure that efforts to foster it have real teeth.

Action buffs who enjoy English history will find much to savor in The Last Kingdom: Seven Kings Must Die.

The broad strokes of Elvis’s (Austin Butler) life are all there in Baz Luhrmann’s Elvis — the precarious childhood, Army stint, loss of his beloved mother, marriage to Priscilla (Olivia DeJonge), glittering Las Vegas residency masking a perilous personal descent. But this isn’t a biopic. Rather, the director’s first feature since 2013’s The Great Gatsby is also an electrifying tale of rags to riches to ruin, this time set to a compelling score mixing the best of the King’s musical catalog with unexpected contemporary bops.

Autumn Bailey-Ford has been an independent film and TV producer working out of Georgia for the past 13 years. Originally from York, Pennsylvania, Bailey-Ford has worked her way up from production assistant—that invaluable, multifaceted job that has been the starting point to many successful film careers—to running her own studio…and co-running a second.

Now that Matt Reeves’s The Batman has been seen by critics and is enjoying a massive amount of critical buzz, you might notice a debate starting to lurk in the shadows of Gotham—is The Batman as good, if not better, than Christopher Nolan’s The Dark Knight?

Writer/director Tadeusz Lysiak didn’t plan on being nominated for a Best Short Film Live Action Academy Award when he started developing the script for The Dress while attending Warsaw Film School. The indie film is rife with emotion and puts an authentic lens on loneliness and sexuality through the eyes of Julka (Anna Dzieduszycka), a hotel maid short in stature with a very large desire to find love.

Aquaman and the Lost Kingdom will splash into theaters right in time for Christmas, on December 16, 2022. While we still haven’t even seen the first trailer for director James Wan’s hotly-anticipated sequel, we are starting to get a few tidbits about the film itself. It sounds as if the sequel will enjoy the benefits of brand new visual effects technology that DC is deploying on its upcoming slate of films.

Travers shares with The Credits how physics grounded the collision course of these two celestial bodies and what went into destroying the planet.

The video is a reminder of how every movie takes a village to make, and when it comes to a film as big and bold as Dune, it’s more like an entire desert city.